New York Classical Review2 天
Nilsson’s luminous debut lifts the Met’s Tomb Raider “Aida”
Nilsson may be the most demure Aida ever to grace the Met stage. Her simple sheath instantly marks her as an outsider, but her regal bearing is that of a princess. Simplicity was Nilsson’s trump card, ...
New York Classical Review3 天
Driver brings a myriad of illumination to Carnegie recital
Some concerts illuminate a single idea. Danny Driver’s recital at Carnegie Hall Thursday evening illuminated many, revealing ...
New York Classical Review3 天
From Varèse to Gershwin and a Ravel premiere, Dudamel does it all with Philharmonic
Gustavo Dudamel made a rare visit to his orchestra-to-be Thursday night, energetically leading the New York Philharmonic in works by Varèse, Ravel and Gershwin. The occasion was of course attended by ...
New York Classical Review4 天
Holliger quartet revealed as masterpiece by JACK Quartet
Cutting Edge Concerts doesn’t always present music that fits its name, but artistic director Victoria Bond’s choice to open ...
New York Classical Review5 天
Philharmonic to cast a wide net of artists, repertoire in 2025-26 season
In the New York Philharmonic’s 2025-26 season, Frederic Rzewski’s piano work The People United Will Never Be Defeated! will be presented in a newly commissioned orchestration, with the variations ...
New York Classical Review7 天
Chamber Music Society finds pleasure, if not treasure, in rare works by Czech masters
And in fact, Smetana’s piece, with its two movements in moderate tempos, made an agreeably unshowy opener for Sunday’s ...