Love and espionage go hand in hand for married agents Cate Blanchett and Michael Fassbender in a sophisticated spy thriller packed with secrets, paranoia and romance.

At this year’s Oscars, films from Pixar and Aardman were beaten as best animated feature by a Latvian film called Flow. As Gints Zilbalodis’s heartbreaker goes on release, we track the contemporary ...

Karan Kandhari’s wild debut feature about a newly married Mumbai woman whose life takes a surreal turn when she is bitten by a mosquito is bursting with cinephilic enthusiasm, but at times puts the ...

The Emmy-nominated comedian, actor and writer will discuss his career, including his latest role in Andrew Ahn’s The Wedding Banquet.

Based on an avant-garde wartime play, The Lost People was scripted by the pioneering filmmaker Muriel Box (who also directed some sequences) and presents an unusual depiction of the turmoil of ...

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed.

The Statistical Yearbook is published by the BFI Research and Statistics Unit. It is published throughout the second half of each year, concluding with the full yearbook and the accompanying dataset ...

Robert Pattinson is cloned over and over, a remarkable debut puts a human face on dehumanising work, and Bob Dylan gets a night of TV. What are you watching this weekend?

A withdrawn care worker has her life turned upside down when a hard partying neighbour moves in next door in Jed Hart’s shapeshifting suburban revenge feature.

Raoul Peck makes powerful use of Ernest Cole’s own words to tell his story, but the editorial flourishes used to showcase his apartheid-era photographs at times diminish their impact.

As Ken Russell’s Tommy turns 50, we explore the world of hit albums that have expanded into their own movies, from A Hard Day’s Night to Purple Rain.